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My life has been a soap opera since the day I was born.
At the time of my arrival, my mother had been an actress (using that term loosely) on Good As Gold for almost ten years. The writers had worked her pregnancy into the story line, and when Mom started going into labor, the director kept the cameras rolling. Mom swears she didn’t notice, but if you look at the episode, you can see that she’s playing it up, hoping that each contraction will bring her closer to a Daytime Emmy. Luckily, the cameras weren’t allowed in the delivery room. But two weeks later, Mom was back at work, on the twelve-by-twelve set that serves as every single hospital room in the fictional town of Shadow Canyon. (If you watch closely, you’ll see that only the flowers change.) Immaculately made up, with the whole staff of Shadow Canyon General watching on in admiration, my mother gave birth to me for a second time. And I was there waiting, under the sheet between her legs, for Dr. Lance Singletary to reach in, lift me toward the camera, and utter with complete surprise, “It’s a girl, Geneva! It’s a girl!”
This was the first time I ever appeared on TV.
It was also the last.
They wanted to keep me. Mom and I were on the cover of Soap Opera Digest and Soap Opera Weekly. There was a crew from Entertainment Tonight taping the Good As Gold crew as they taped my second birth. Mom’s fan clubs sent thousands of daisies, homemade cards (many of them addressed to Geneva), and home-knit pairs of socks. A network press release dubbed me “the Future Queen of Soapland” and said I was a “star of tomorrow.” The hype was stupendous, but clearly I didn’t believe my own press. On my second day of taping, I refused to stop crying—big, volcanic wails. The noise was unbearable . . . and, even worse, the way I cried made my face scrunch up. If there’s one thing a soap opera will never, ever tolerate, it’s a scrunched-up, uncute face, even on a sixteen-day-old baby.
A supermodel pair of baby twins was brought in, and I was sent home with a nanny. Four months later, Good As Gold viewers would watch as Geneva’s infant daughter, Diamond, was abducted by Geneva’s escaped-convict ex-lover, a former priest named Rance who had sixteen personalities (ten of whom were battling sex addiction). When Diamond was found six months later by the lone member of Shadow Canyon’s police force, she had miraculously transformed into a breastbudding twelve-year-old starlet–a fact that none of the citizens of Shadow Canyon (not even the clairvoyant ones) ever noticed.
In the past sixteen years, Diamond has been abducted six times, has died once, has fallen in love twice with people who were later revealed to be her relatives, has had three bouts of amnesia, has been in a coma twice, has eloped once, has broken off two engagements, has had her debutante debut ruined once by an earthquake and once by a dead best friend, has twice fallen into the hands of a coven of witches, has been locked in the trunk of a car six times, has pulled a gun on someone fourteen times, has had a gun pulled on her twentytwo times, and has had near-death experiences eight times (twice from drowning, twice in a car crash, once in a plane crash, once after being stabbed by her lover-slash-long loststepbrother, once in childbirth, and once–

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